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FOURT, 2022
Ballroom Gallery (Brussels)  

Conceived as a soft-chateau, the exhibition is crowded with opulent expressions of hygiene, mass manufacturing and enchantment. Duffaut’s work activates the carefree qualities of market coercion. It shapes and sculpts wasted perfections up until a point where constellations of clean bold colors emerge. For his first solo exhibition, Duffaut brings into focus the elegantly banal he is intrigued by. The works intend to produce a collective atmosphere of non-difference, of non-hetrotopia. They allow us to fall implicit, to fall into a trope, into a corporate business meeting, a collective therapy session for people with trust issues. FOURT asks serious questions about the nature of ‘realness’. Its impossibility and absolute possibility. Liveliness beyond the boundaries of realness. Forms catapult through the space creating new levels of dysphoric sensation and general confusion. A sanitary extravaganza, an arena of branded monstrosities. It wonders what might have happened in the factories or in the mechanical fur or in Julia's bathroom. This show has one mission. To do it well. And then, to head to the compost or the gutter.

(Text by Lydia Mcglinchey)